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Knight and Day

movies|knight%20and%20day|2010-07-15
June finds her everyday life tangled with that of a secret agent who has realised he isn't supposed to survive his latest mission.

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Editorial


Top Gun-grinning and chest-baring, Cruise is Roy Miller, a rogue agent with the superhuman teckers to land crashing jets, hop between hurtling sedans and mow down henchmen with a supersized Uzi. Mostly while bickering with hostage-cum-love interest June (Cameron Diaz). He's a joke, of course, but not Austin Powers (or Les Grossman) madcap. Just ten degrees off centre, and for the initial third we half suspect he's a genuine nutball. The CIA claims he's off the reservation, but the idea gets discarded in the ensuing blitzkrieg.

It's breathless stuff: no chance of boredom, no space for finesse. Miller and June collide cute at an airport, next thing this charmer has "deactivated" everyone else on the Wichita-Boston red-eye and they're crash-landing in a field. From there, we hop explosively from Boston to The Bronx, the Azores and an Alpine express to find a missing scientist, pursued by the disposable ranks of the US secret service (headed by the smarmy Peter Sarsgaard).

By the second half the laughs fade and it flattens to an 80's thriller, over-enhanced with CG auto-crunch visuals that don't carry the heft of colliding metal. This star-based summer flick is welcome and it's not lacking chemistry. But Diaz, unzipping her magnificent grin, so good at offsetting her beauty with tomboyish steel, gets little reward for pluckiness. Her bullet-point backstory feels like echoes from forgotten drafts. She's just a sparky personality buffeted by the airwaves of endless rewrites. At least Roy's supposed to be a blank invention — Cruise playing Cruise, a bit woodenly.

At heart, it doesn't know what it wants. Zucker-silly spoof on Cruise conventions? A-list driven odd-couple caper? Straight-with-plenty-of-chaser adventure-romance? If anything, it bears closer resemblance to Notting Hill, an ordinary gal hooking up with Cruise, the onscreen fantasy of him that is.

Ian Nathan

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Harry Georgatos
July 15, 2010


This is more a rom.com reworking of Tom's MISSION:IMPOSSIBLE image. It covers entertaining territory with good action set-pieces but has an obvious formula. Tom's box-office clout maybe in doubt with this films poor performance at the North American box-office. If MISSION:IMPOSSIBLE 4 fails to perform then I can see Tom relegated to supporting roles in future films. Today Tom and Cameron can't compete against the TWILIGHT stars!

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