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Brothers

movies|brothers|2010-03-18
A man goes to fight in the war in Afghanistan, leaving his wayward younger brother to take care of his wife and daughters.

Editorial


Irish helmer Jim Sheridan laments the fact that European films have a better chance of achieving poetic resonance than their Hollywood counterparts. He now works mainly in America, and his latest offering, a taut reworking of the 2004 Danish movie Brothers, is a case in point. With the original, director Susanne Bier indulged her passion for agonising moral dilemmas, crafting a tale that was infused with realism and shot with fidgety handheld cameras. Sheridan's effort, meanwhile, boasts a much more calculated and slicker set-up, with a glossy veneer, carefully composed shots and superstar cast.

In truth, that cast performs admirably, Sheridan's gift with actors squeezing terrific performances from Tobey Maguire, Natalie Portman and Jake Gyllenhaal. The last plays Tommy, the prodigal son, a petty crook and, in the eyes of his Vietnam vet father (Sam Shepard), a bit of a wanker.

So often overshadowed by his co-stars, Gyllenhaal here holds his own against a deliberately stiff and twitchy Maguire — who stars as Sam, the older brother, a captain in the Marines and the apple of his family's eye — and an unravelling Portman, whose fractured character, Grace, is Sam's childhood sweetheart and the mother of his two cute daughters.

While Bier's film is deeply romantic, focussing on the love that blossoms between brother-and sister-in-law, Sheridan's remake shifts the emphasis onto family, and he mines his drama from the two brothers' changing circumstance.

The film is far from flawless — the scenes in Afghanistan leading up to the key moment are a little lacklustre and we never fully learn how the boys' upbringing affected Sam, even though there's the suggestion that he, too, suffered under the weight of his father's expectations. Sam may appear the perfect family man, but in drama, as in life, appearances can be deceiving.

Will Lawrence

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